Brainwomb

I’ve been working with Molly for a couple of years now and am still impressed by all her work. I didn’t shoot this interview but did supply the BRoll :)

laughingsquid: How to Recreate The Matrix’s Slow Motion Bullet...

spookyk — Thu, 16 May 2013 10:30:13 -0400

laughingsquid:

How to Recreate The Matrix’s Slow Motion Bullet Time Effects With a Ceiling Fan & GoPro Camera

Via Laughingsquid

fharperart: jimbatt: I Have Your Heart will be making it’s...

spookyk — Wed, 15 May 2013 10:30:28 -0400

fharperart:

jimbatt:

I Have Your Heart will be making it’s festival premiere at the prestigious Sydney Film Festival, where it has been nominated in the short film awards for Best Animation and Best Director!

www.ihaveyourheart.com

Winner!

Yay Jim & Molly!

monetizeyourcat: the funny thing about the “millennials are lazy” thing is that it has to twist...

spookyk — Tue, 14 May 2013 10:30:23 -0400

monetizeyourcat:

the funny thing about the “millennials are lazy” thing is that it has to twist itself into knots making “they don’t expect sucking up to the boss or keeping all their ducks in a row to pay off because they’ve watched how futile all of that was for their parents and older siblings and grown up in a system where neither fucking matters” into “lazy”

"Film audience’s current consumption habits do not come close to matching the film industry’s..."

spookyk — Mon, 13 May 2013 10:30:08 -0400

“Film audience’s current consumption habits do not come close to matching the film industry’s production output. America remains the top film consumption market in the world, and is thought to be able to handle only around 1% of the world annual supply – consuming somewhere between 500-600 titles of the annual output of approximately 50,000 feature films. We make far more films than we currently know how to use or consume. We drown our audiences in choices.”

- Ted Hope’s “17 Things About The Film Biz That Should Significantly Influence Your Behavior”. (via twiststreet)

seanbonner: This new Gaslamp Killer video is totally worth 5...

spookyk — Sun, 12 May 2013 10:30:27 -0400

seanbonner:

This new Gaslamp Killer video is totally worth 5 minutes of your day.

This. This is a music video.

laughingsquid: Super 8 Footage of Burning Man’s First Year in...

spookyk — Sat, 11 May 2013 10:30:23 -0400

laughingsquid:

Super 8 Footage of Burning Man’s First Year in the Desert (1990)

laughingsquid: Everything Wrong With ‘Star Trek’ (2009) In 5...

spookyk — Fri, 10 May 2013 10:30:35 -0400

laughingsquid:

Everything Wrong With ‘Star Trek’ (2009) In 5 Minutes Or Less

Photo

spookyk — Fri, 10 May 2013 01:07:46 -0400

laughingsquid: Honest Movie Trailers: Star Trek (2009) by...

spookyk — Thu, 09 May 2013 10:30:18 -0400

laughingsquid:

Honest Movie Trailers: Star Trek (2009) by Screen Junkies

laughingsquid: The Film ‘Drive’ Gets a Retro Sega Genesis Style...

spookyk — Wed, 08 May 2013 10:30:24 -0400

laughingsquid:

The Film ‘Drive’ Gets a Retro Sega Genesis Style Title Screen

cinephilearchive: Blue Velvet screenplay by David Lynch [pdf]....

spookyk — Tue, 07 May 2013 10:30:14 -0400

cinephilearchive:

Blue Velvet screenplay by David Lynch [pdf]. (NOTE: For educational purposes only)

Lynch wrote two treatments of Blue Velvet at Warner’s request, but they hated both versions. The film was dead until Lynch finished filming Dune, and was asked by producer Dino De Laurentiis if he had any projects he’d like to do next. Lynch pitched Blue Velvet, with one condition — he had to have final cut. De Laurentiis agreed in exchange for Lynch cutting his salary and the film’s budget in half. Some questioned if it was wise for De Laurentiis to fund Lynch’s new project given the poor box office of Dune. According to Paul Sammon, former DEG vice-president of special promotions, “Dino appreciated David’s rather bizarre gifts, and besides, Dino’s system was to always presell everything through his European and international contacts, so he never lost money.”

With the project a go again, Lynch completed two more drafts of the screenplay to Blue Velvet. The catalyst to set the story in motion was Jeffrey’s discovery of the ear. “The ear is like a canal, it’s like an opening, little egress into another place… It’s like a ticket to another world that he finds. If he hadn’t found it, you know, he would have kept on going home and that would have been the end of it. But the fascination with this, once found, drew him into something he needed to discover and work through.” It was on the fourth and final draft that Lynch finally came up with the ending to the film. “I was sitting on a bench and I suddenly remembered this dream that I’d had the night before. And the dream was the ending to Blue Velvet. The dream gave me the police radio; the dream gave me Frank’s disguise; the dream gave me the gun in the yellow man’s jacket; the dream gave me the scene where Jeffrey was in the back of Dorothy’s apartment, sending the wrong message, knowing Frank would hear it. I don’t know how it happened, but I just had to plug and change a few things to bring it all together.” —lynchnet

Photographs from the 25^th Anniversary Blue Velvet Exhibit held in the Dennis Hopper Building, 20 Princess Street, Wilmington, North Carolina, November 9^th through the 13^th 2011.

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